Thoughts on the final Improv Lab @ Findars
Improv Lab normally takes the format of this: three invited artists present their compositions based on improvisation. That's act one. Act two is all three artists putting together a devised performance without rehearsal. You might think this kind of performance is hit or miss, but it's the most exciting performance series in KL right now. Shame that Findars is closing at the end of the month. Improv Lab is hosted by Studio in Cheras KL, in conjunction with Findars Space.
For more event info, see the facebook event here.
I came late and pushed my way into the packed space. I snuck into a nook beside sound artist Goh Lee Kwang. Dancer and lighting designer Shee Hoe was cutting nipples of cloth in the middle of the room. The cloth itself resembled a Singapore flag. My friend noted it also resembled the Nusantara flag, representing the unification of Malaysia, Phillippines, and Indonesia. It would later resemble a grated face or blood confetti.
The performance took the shape of a La Vie en Rose detournement at first. There were some great accidents during this sequence.
The performance by turns burst into a domestic dispute, real tenderness, bad barbershop, a feast, a band of hyenas, a space opera. I saw shades of Buck Rogers, and Bill Hicks' "Rockers against Drugs" bit. At one point, Lena Ang sits on Shee Hoe like a chicken. It drove home the domestic aspect of the whole performance to me. A lot of the notes struck were home notes.
Ang pioneered Butoh in Malaysia. She entered the stage from a diaphanous curtain and brought the speed of the piece closer to syncopated rigor mortis. At some point, a demon flew into her. Maybe it was there all the while. Once Lena seized the scissors from Shee Hoe, it was over. I couldn't stop looking at her.
Act two was a site-specific performance called Sudden Death, devised by theatre practitioner Mark Teh. Audience members were invited to lie still in the shape of Teoh Beng Hock's corpse for the time it takes for a candle to burn out. The rest of the audience watched from a floor above. A garden of Beng Hocks: people lay still for a period, replenished by other people. It created a powerful effect. As if, as an audience member, we accept a certain amount of blame for his death.
I'll post photos tomorrow.
